…A Lynching Memorial Is Opening…


The National Memorial for Peace and Justice, opening Thursday in Montgomery, Ala., remembers the thousands of victims of lynchings. Photo Credit Audra Melton for The New York Times

MONTGOMERY, Ala. — In a plain brown building sits an office run by the Alabama Board of Pardons and Paroles, a place for people who have been held accountable for their crimes and duly expressed remorse.

Just a few yards up the street lies a different kind of rehabilitation center, for a country that has not been held to nearly the same standard.

The National Memorial for Peace and Justice, which opens Thursday on a six-acre site overlooking the Alabama state capital, is dedicated to the victims of American white supremacy. And it demands a reckoning with one of the nation’s least recognized atrocities: the lynching of thousands of black people in a decades-long campaign of racist terror.

At the center is a grim cloister, a walkway with 800 weathered steel columns, all hanging from a roof. Etched on each column is the name of an American county and the people who were lynched there, most listed by name, many simply as “unknown.” The columns meet you first at eye level, like the headstones that lynching victims were rarely given. But as you walk, the floor steadily descends; by the end, the columns are all dangling above, leaving you in the position of the callous spectators in old photographs of public lynchings.

The magnitude of the killing is harrowing, all the more so when paired with the circumstances of individual lynchings, some described in brief summaries along the walk: Parks Banks, lynched in Mississippi in 1922 for carrying a photograph of a white woman; Caleb Gadly, hanged in Kentucky in 1894 for “walking behind the wife of his white employer”; Mary Turner, who after denouncing her husband’s lynching by a rampaging white mob, was hung upside down, burned and then sliced open so that her unborn child fell to the ground.

The memorial is inspired by the Holocaust Memorial in Berlin and the Apartheid Museum in Johannesburg.  Photo CreditAudra Melton for The New York Times

Bryan Stevenson and a small group of lawyers spent years immersing themselves in archives and county libraries to document thousands of lynchings. 
Photo Credit Audra Melton for The New York Times

There is nothing like it in the country. Which is the point. “Just seeing the names of all these people,” said Bryan Stevenson, the founder of the Equal Justice Initiative, the nonprofit organization behind the memorial.

Many of them, he said, “have never been named in public

Mr. Stevenson reading the introduction to a slave catalog from 1854 at the Legacy Museum, a companion piece to the memorial.
Photo CreditAudra Melton for The New York Times

Mr. Stevenson and a small group of lawyers spent years immersing themselves in archives and county libraries to document the thousands of racial terror lynchings across the South. They have cataloged nearly 4,400 in total.

Inspired by the Holocaust Memorial in Berlin and the Apartheid Museum in Johannesburg, Mr. Stevenson decided that a single memorial was the most powerful way to give a sense of the scale of the bloodshed. But also at the site are duplicates of each steel column, lined up in rows like coffins, intended to be disseminated around the country to the counties where lynchings were carried out. People in these counties can request them — dozens of such requests have already been made — but they must show that they have made efforts locally to “address racial and economic injustice.”

For Mr. Stevenson, the plans for the memorial and an accompanying museum were rooted in decades spent in Alabama courtrooms, witnessing a criminal justice system that treats African-Americans with particular cruelty, or indifference.

A 2017 sculpture by Titus Kaphar, “Doubt,” sat amid accounts of slaves and former slaves at the museum.
Photo Credit Audra Melton for The New York Times

Hundreds of jars of soil from the sites of documented lynchings, collected by families of victims or community volunteers, are on display at the museum.
Photo Credit Audra Melton for The New York Times

Since 1989, the Equal Justice Initiative has offered legal services to poor people in prison, toiling away in a city awash in Confederate commemorations (Monday was Confederate Memorial Day in Alabama), in a state with the nation’s highest per capita death sentencing rate. Nearly every staff member is a lawyer with clients in the prison system, and they have continued to work a full schedule of legal defense work even as they painstakingly compiled the names of the lynched and planned the memorial.

Mr. Stevenson, whose great-grandparents were slaves in Virginia, has written about “just mercy,” the belief that those who have committed serious wrongs should be allowed a chance at redemption. It is a conviction he has spent a career arguing for on behalf of clients, and he believes it is true even for the white America whose brutality is chronicled by the memorial.

“I’m not interested in talking about America’s history because I want to punish America,” Mr. Stevenson said. “I want to liberate America.”
Photo Credit Audra Melton for The New York Times

“If I believe that each of us is more than the worst thing he’s ever done,” he said, “I have to believe that for everybody.”

But the history has to be acknowledged and its destructive legacy faced, he said. And this is particularly hard in “the most punitive society on the planet.”

People do not want to admit wrongdoing in America, Mr. Stevenson said, because they expect only punishment.

“I’m not interested in talking about America’s history because I want to punish America,” Mr. Stevenson continued. “I want to liberate America. And I think it’s important for us to do this as an organization that has created an identity that is as disassociated from punishment as possible.”

The initiative’s headquarters are a few blocks away in a building that was once a warehouse in Montgomery’s sprawling slave market. It is now the site of the Legacy Museum, a companion piece to the memorial.

It is not a conventional museum, heavy on artifacts and detached commentary. It is perhaps better described as the presentation of an argument, supported by firsthand accounts and contemporary documents, that the slavery system did not end but evolved: from the family-shattering domestic slave trade to the decades of lynching terror, to the suffocating segregation of Jim Crow to the age of mass incarceration in which we now live.

The museum ends with a nod toward the future. By the exit is a section with a voter registration kiosk, information on volunteer opportunities and suggestions on how to discuss all of this with students. Given what has come before, it seems a jarring expression of confidence in the possibility of change. But there are good reasons for it.

A multimedia exhibit allowing visitors to “speak” to inmates on death row, including Anthony Ray Hinton, left, who was wrongly convicted of two murders.
Photo Credit Audra Melton for The New York Times

Among the accounts given at the museum is that of Anthony Ray Hinton, who spent 28 years on Alabama’s death row after being wrongly convicted of two murders by an all-white jury. The case for his innocence seemed straightforward, but lawyers at the Equal Justice Initiative spent 16 years working for his freedom, appealing the case all the way to the United States Supreme Court. Mr. Hinton knows firsthand how stubborn injustice can be, but he is blunt: If people just gave up in despair, he would be dead.

“I refuse to believe that it’s hopeless because I am a product of what can happen when you fight,” he said. “If we don’t fight, who’s going to fight?”

By Campbell Robertson

April 25, 2018

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